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Renaissance Painting, after Lorenzo Monaco

y. Our Mixed-Media painting here has vibrant colors set against gold-leaf backgrounds.

River Oaks Mansion Houston, Texas

Further, this remarkable tableau will command the attention of all those who gaze upon this stunning beauty. Perfect for traditional and modern decorating, as well as luxury River Oaks Mansions in Houston, Texas.

Jesus before Pontius Pilate, c.1520, Tempera colors, gold paint, and gold leaf on Parchment

ilate evokes an intense empathic response as the viewer contemplated Jesus' suffering.

The Arrest of Christ, c.1520, Tempera colors, gold paint, and gold leaf on parchment

captures a lively sense of movement as Christ turns his head and present his face to the beholder for contemplation.

Renaissance Masterpiece, after Bartolomeo Rigossi

sity of this scene. The angel of the Lord spoke to the women saying, Whom do you seek? Do you seek Jesus? He is already risen. Come and see!

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ensity of this scene. Here we see the tomb of Jesus on Easter Morning; the angel of the Lord spoke to the women saying, "Whom do you seek? Do you seek Jesus? "He has already risen; come and see." This religious tableau, a colorful Mixed-Media painting, is sure to please all those who gaze upon it. Perfect for traditional and contemporary decorating and a luxury duplex at 10 Gracie Square in New York City.

Christ in Majesty, c.781 A.D., From the Evangéliaire dit de Charlemagne, Illumination on Parchment

jesty was probably based on a famous painting known as the Acheropita, located in the Lateran Basilica in Rome where Pope Adrian I baptized Charlemagne’s son, Pepin.

The Entry into Jerusalem, c.1030, Tempera colors, gold leaf and ink on parchment

ing the solid gold field for the figures, he creates a sense of otherworldliness and emphasizes the sacred nature of the event.

Fresco from the Villa of P. Fannius Synistor at Boscoreale, c.50–40 B.C., Wall Fresco

y. It was during this period that fresco decorations thrived in villas and state buildings of the Mediterranean world. The hierarchical society of the Roman state provided great wealth and allowed art to flourish.

Bathsheba Bathing, c.1498, Tempera and gold on parchment

nd hair glows on the page, and her high, small breasts and broad hips accorded with the highest standards of feminine beauty of the time.

The Betrothal of Saint Ursula, c.1895, Tempera colors, gold leaf, and ink on 16th century parchment

anish), and his Illuminations were obviously designed to pander to wealthy tourist on The Grand Tour. The Spanish Forger has been placed in the Illumination Gallery because of the artistic genre.

15th Century Illumination, after the Olivetan Master

wo figures on the end have their arms crossed while the two interior figures have their hands in gestures of prayer. Mixed-Media Painting.

Vanity and Hypocrisy, c.1270, Tempera colors, gold leaf, and ink on parchment

man, half bird, with an extraordinary power to lure sailors with their charm. However, in this text, the siren has become a moralizing symbol of vanity while the center represents the sin of hypocrisy in the Christian tradition.

Two Fishermen on an Aspidochelone, c.1270, Tempera colors, gold leaf, and ink on parchment

aving its back just above the water line, and lying motionless, into believing it was an island which ultimately plunged them into the depths of Hell.

The Betrayal of Christ, c.1460, Tempera colors, gold leaf, and ink on parchment

e while contrasting with the swift movements of the soldiers. (Additional Willem Vrelant Illuminations are available upon request).

The Coronation of the Virgin, c.1460, Tempera colors, gold leaf, and ink on parchment

ess as the Virgin is crowned "Queen of Heaven" with a divine light emanating from above. (Additional Willem Vrelant Illuminations are available upon request).

The Twelfth Generation, Friedrich Derrer c.1626, Tempera colors with gold and silver highlights on parchment

style in which theatrical ostentation mingled with vehement emotional frankness. (Additional Derrer Illuminations are available upon request).

The Fifteenth Generation, Anthony Derrer c.1626, Tempera colors with gold and silver highlights on parchment

e in which theatrical ostentation mingled with vehement emotional frankness. (Additional Derrer Illuminations are available upon request).

The Ninth Generation, Sebaldt Derrer II, c.1626, Tempera colors with gold and silver highlights on parchment

e in which theatrical ostentation mingled with vehement emotional frankness. (Additional Derrer Illuminations are available upon request).

The Virgin Mary and Child, after Carl Mayer

uctions, Mayer's 19th Century watercolor has been placed in this Illumination Gallery because of it's an applicable and artistic genre. A Mixed-Media painting.

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